Qed

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Authors: Susanne M Hoffmann, Juan Antonio Belmonte Avilés


Qed+Qedty (Belmonte 2003)

Qed is an Egyptian name that can be translated as circle, sheepfold or net. Decan star clocks incclude bith Qed and Qedty (in dual form) for two different asterisms. They were not present on RSC which used more appealing constellations further north such as Aped and Wia, respectively, to cover the same RA range.  

Concordance, Etymology, History

Variants

  • Qed
  • Qedty

Origin of Constellation

In the decan star clocks there are two decans called Qed, in singular, and Qedty, in dual. They are far away in RA. One possibly was close to Pisces and before Aret, the other possibly to the South of Sagittarius. These are mentioned in NK celestial diagrams but never depicted as constellations.

Qed means net, circle, or sheepfold, so Qedty means two nets or a pair of nets, and hence we expect them to have a nearly round, circular or enclosed form.

In a complete independent analysis, a tentative interpretation on these two decans was given by Belmonte (2003)[1] in MSAIT on the Decans, and simultaneously on his PUV book on "La Astronomía del antiguo Egipto" by Jose Lull in 2004. Both of them independently coincided in their hypothesis for Qed and Qedty after their analyses because they fit in RA within the errors. The pentagonal head of Cetus for Qed, and an area south of Sagittarius in which Corona Australis (quite circular) would be one of the pair Qedty.

So this, among others, is why they published a paper in JHA in 2006 together. Table 4.7 is just a final count of 20 years of discussion and analyses.

Leitz (1995) locates Qed in Alpha Andromedae, which is far too north for a decan.

Decan Star Clocks

Decan star clocks (also "diagonal star clocks")[2] represent one of the earliest known systematic methods of stellar timekeeping, as they are preserved from the Middle Kingdom (2100-1800 BCE). During the night, the successive appearance of decans provided a way to divide the night into approximately twelve parts for the twelve hours of the night. These constellations shift successively, so that the Egyptian schema needs to be read diagonally: every ten days, another constellation is considered to rule the same hour, or in other words, each constellation (decan) rules a different hour depending on the time of the year. Hoffmann (2022)[3] writes: "The pattern of this systematic shift of constellations through the hours of the day within a year is depicted on Egyptian diagonal star clocks, when the sequence of decans was observed in culmination instead of in rising (Symons 2007[4]), leading to a reduction of deviations throughout the year."

Image Variants of Fishing Nets

For a depiction in the tomb of Menna (TT 69), Thebes, tp. Amenhotep III, New Kingdom also see Hartwig (2015)[5].

Transfer and Transformation of the Constellation

Religion/ Tales/ Mythology

As far as we know, there is not any mythological or cultural context for these two decans (asterisms) as we have for many other Egyptian stars and constellations apart from the utility and hour keepers in diagonal star clocks (which is indeed important).

IAU Working Group on Star Names

References

  1. ↑ Belmonte, J. A., 2003. The Ramesside star clocks and the ancient Egyptian constellations. In M. Blomberg, P. E. Blomberg and G. Henriksson (Eds.), Calendars, Symbols, and Orientations: Legacies of Astronomy in Culture (pp. 57–65). Uppsala Astronomical Observatory report, 59. Uppsala Ocarina Books.
  2. ↑ Leitz, Ch., 1995. Altägyptische Sternuhren. OLA, 62. Leuven: Peeters.
  3. ↑ Hoffmann, S.M. (2022). Comparison of some General Concepts.,in Hoffmann and Wolfschmidt (eds.). Astronomy in Culture – Cultures of Astronomy, tredition Hamburg, 542-560
  4. ↑ Symons, Sarah (2007), A star's year: the annual cycle in the ancient egyptian sky, in J. M. Steele, ed., `Calendars and Years: Astronomy and Time in the Ancient World', Oxbow, Oxford (UK), pp. 1--33.
  5. ↑ Hartwig, Melinda. (2015). “Style.” In A Companion to Ancient Egyptian Art, edited by Melinda Hartwig, pp. 39-59. Blackwell Companions to Art History Series. Boston & Oxford: Wiley-Blackwell.